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Dal Barba, Daniel Pio (1715-1801)
Compositor Italiano nacido en Verona
Bio
http://it.wikipedia.org/wiki/Daniel_Dal_Barba
es autor de

Messa di Requiem
Para soprano,tenor y bajo con instrumentos en sol menor

Messa di Requiem
de 1779
Para 3 voces,violines y bajo continuo en si menor
Info
http://www.urfm.braidense.it/cataloghi/mssestesa.php 

Daniel Pio Dal Barba (1715–1801) is known for his role as maestro di cappella at Verona Cathedral, as well as his successful career as an opera composer and male soprano, also in Verona. His large catalogue of liturgical music is mostly well preserved, and his sacred music can be considered a simplified version of the dominant style (in terms of harmony, counterpoint and timbre) of the first half of the 18th century. His compositions were most often written for a relatively small ensemble (three or four voices, two violins and basso continuo), whereas works by his contemporaries would typically include wind instruments also. Dal Barba’s Messa da morto breve, or Short Requiem Mass, dates from 1779. The central text of the introit (‘Te decet hymnus, Deus in Sion’: ‘Praise to you, o God in Zion’) comprises an extract from Psalm 64 (verses 2–5) and is entrusted by Dal Barba to the solo soprano and bass, whilst the antiphon is sung by the chorus. The invocations of the Kyrie are given three distinct musical forms: a chorus with cantabile melodic lines, a duet in triple metre, and finally a fugue, with a theme that recalls the one Mozart used in the Kyrie of his Requiem K.626, composed over ten years later. The most substantial part of Dal Barba’s Messa da morto breve is the Dies irae. Dal Barba divides the sequentia, the hymn text sung between the Epistle and Gospel readings, into three solo arias, and three where the chorus takes centre stage. The three chorus sections of the Dies irae start with a motif recalling the corresponding Gregorian theme. Throughout the complex Latin text, the chorus alternates between isorhythmic passages and imitative sections, with a style comprising simple melodic lines and recurring harmonies, culminating in the cadence of the Amen. The Messa da morto breve concludes with the Libera me, a long responsory used to say farewell to the body. It is interesting to note that the atmosphere generated by the minor keys (G minor and C minor) is continuously interrupted by the key of E flat major, which Dal Barba uses to emphasis the text ‘Requiem aeterna’ and to pre-empt the ‘serenity’ that appears following the conclusion of the final cadence, symbolising believers’ hope for resurrection.

Musica 

Dal Barba Requiem and Other Sacred Music - YouTube

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Dal Bello, Bartolomeo ( )
Compositor Italiano
Bio
es autor de una

Messa di Requiem
Compuesta en 1778
Para 3 voces e instrumentos en sol mayor
Info
http://www.urfm.braidense.it/cataloghi/mssestesa.php
Requiem in Titolo