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Boysen, Andrew Jr (  )
Compositor Estadounidense
Es autor de

Grant Them Eternal Rest

Compuesto para banda sinfonica y voces

Dedicated to those who lost their lives on September 11, 2001. The five movements, Introit, Kyrie, Dies Irae, Sanctus and Angus Dei, outline the general form of a Requiem Mass. Boysen transforms the first seven notes of the somber Gregorian Chant melody, the "Dies Irae," throughout the piece.  The chant makes a full and frightening appearance at the end of the third movement, only to be disguised in the fourth movement by the enchanted sounds of the mallet percussion.  Grant Them Eternal Rest is a monumental addisiton to the canon of wind literature.

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YannatosJames (1929-2011)
Compositor Estadounidense de origen japones nacido en Nueva York
Es autor de la obra

Trinity Mass
Compuesta en 1984 incluye un Dies Irae
Es para solista, coro y orquesta
The complexity of the subject (war and peace) demanded a variegated tapestry of literary and musical sources. Techniques of collage and thematic transformation of such diverse musical materials as Japanese scales, a Negro spiritual, the Gloria from Bach's B Minor Mass are used to illuminate the musical discourse.
Smith, Andrew ( 1970 ) 
Compositor Ingles nacido en Liverpool, ha vivido en Noruega
Es autor de un

Norwegian Requiem
Compuesto en el 2012
Arve Henriksen trumpet
Ståle Storløkken organ
LSO St Luke’s Community Choir
Choralia: Wells Cathedral Girls’ Choir
Christopher Finch conductor

Commissioned by the Norway’s Nidaros Cathedral Girls' Choir for their 20th anniversary, this moving Requiem features jazz trumpeter Arve Henriksen with organ, girls’ choir and community choir. Loosely based on the requiem mass, Andrew Smith’s piece is a reflection on the tragic massacre of 22 July 2011 on Utøya in Norway. The first half will feature a duo from Arve Henriksen and keyboard player Ståle Storløkken.

Lopes Morago, Estevao 
(Esteban Lopez Morago) (1575-1630 )
Compositor Español, nacido en Vallecas, que trabajo sobre todo en Portugal, Evora.
Es autor de una

Missa pro Defunctis
Compuesta en Portugal hacia 1620 y dedicada a la Reina Victoria
Extracto de la Missa

Tambien tiene un

De Profundis
Y otros motetes funerarios

Versa in Luctum, etc...

KeinerFabio (1959-  ) 
Compositor y musico Austriaco, trabja en Viena, de la linea dark/drone

Es autor de 4 obras


Compuesta en el 2013
Musica ambiental

Easter Requiem

Compuesta en el 2014
Musica ambiental

Compuesta en el 2013

Y por ultimo

Compuesta en el 2013

 VeldeBartholomeus van der (1848-1913)
Compositor Holandes nacido en Veur
Es autor de un

Requiem Aeternam
Requiem aeternam for 4 voices (TTB) and organ/harmonium.
 WesteringPaul Christiaan van (1911-1991)
Compositor y organista holandes nacido en Amsterdam
Es autor de un

Compuesto en 1979
Requiem (1979) in F major, for SATB and organ/harmonium. Attachement: schrift met teksten "Requiem + gedichten over de dood 1979/1980".
Textos del Requiem y poemas sobre la muerte
 AlgraJohan (1894-1973)
Compositor y pianista Holandes
Es autor de 2 Requiems

Compuesto en 1928
Requiem (1928) for 2 soli, 3 part male choir and organ/harmonium.

Compuesto en 1945
Requiem (dated 05/05/1945 - Dutch Liberation Day), for 3 soli, 4 part choir and piano. " Ter nagedachtenis aan hen die voor ons geliefd Vaderland zijn gevallen. Uit innige gevoelens van dankbaarheid voor de bevrijding van ons geliefd Vaderland, aangeboden aan: H.M. Koningin Wilhelmina - H.K.H. Prinses Juliana en Z.K.H. Prins Bernhard."
Dedicado a las victimas de la II Guerra Mundial

GeraedtsJaap  (1924-2003)
Compositor y flautista Holandes nacido en La Haya
Es autor de un

Compuesto en 1959
Requiem (1959) for 4 part choir and organ/harmonium.

 HammKarel (1876-1937)
Compositor y director Holandes nacido en Venlo
Es autor de un

Requiem (uncompleted, because of the illness and death of the composer), for 4 voices and piano.

 DahlbergJohan Victor (1915-1946)
Compositor Holandes nacido en Paramaribo, Surinam.
Es autor de un

Incompleto,compuesto en 1945
Requiem (uncompleted) for 5 voices (or more) with instrumental accompagniment.

ZweersBernardus Josephus Wilhelmus 
(1854 - 1924)
Compositor Holandes nacido en Amsterdam
Es autor del
Donderdag 12 October Requiem for Soprano, alto, tenor and bass and orchestra in E flat major, written in Leipzig in 1882
Tambien es autor de un
Compuesto en 1890
Libera (1890) for Bass solo + 4 part choir and organ/harmonium. (Tenor I,II and bass I,II) in D flat major
Y de un
Libera Me Domine
Compuesto en 1916
Libera me, domine for Soprano, alto, tenore and bass and orchestra in F major.

 ThienenWillem van (1859-1939)
Compositor y Organista Holandes nacido en Padang Indonesia.
Es autor de un

Deutsches Requiem
Compuesto en 1932
Texto de Kurt Erich Rotter
Deutsches Requiem (1932) for choir, soli ad lib. and organ. Texts by Kurt Erich Rotter (1907-1977), a German poet.
It contains:
1. Introitus und Kyrie
2. Dies irae und Domine Jesu
3. Offertorium
4. Sanctus und Benedictus
5. Agnus Dei und Libera
This Requiem was orchestrated by Piet van Amstel (1920 - 2003) in 1973.

RathgebRoger 'Moreno'  (1956-)
Compositor gitano holandes nacido en Zurich, Suiza
Es autor del

Some years ago Rathgeb decided to write a Requiem for the victims of Auschwitz: a 60-minute composition for symphony orchestra, choir and soloists. He started working on this composition a few years ago, but when he visited Auschwitz, emotions became too painful and caused a serious writer’s block. By the end of 2007 the International Gipsy Festival asked him to complete his composition so it could be performed in various European cities. He was honoured and inspired by this request. By the middle of 2009 he finished the Requiem. o composer Roger ‘Moreno’ Rathgeb 'Auschwitz' stands for strong emotions such as fear, solitude, agony, hope and despair, which raises the question of the meaning of it all. Millions of desperate souls must have felt sorely tried and tested in severe circumstances - first deceived, then humiliated and tormented and finally brutally destroyed.
A visit to the Auschwitz extermination camp has made a deep impression on him: 'Then the voices of the dead souls cry out from the ash-soaked soil into the visitor's ear, then help-seeking hands seize him by the throat.’ It made him come to this conviction: ‘If all this really happened according to the will of God, I am convinced that we owe our freedom today to all these tormented souls’. It is his deepest wish to dedicate this requiem mass to these souls in all humility and gratitude. With this requiem he not only wants to commemorate the dead, but he also tries to create a living monument in reconciliation and mutual respect, so all these people did not die in vain. The third reason for this composition is that the composer wants to make a musical contribution to the commemoration of the victims on behalf of the Sinti and Roma.
Because of their neutrality, the Latin lyrics provide the perfect vehicle for musical expression. Any religious connotation is not relevant, because the lyrics can be interpreted by all cultures according to their own beliefs.

 GibbRobin Hugh (1949-2012)
Cantante y compositor Estadounidense, fue miembro de los famosos Bee Gees
Es coautor junto a su hijo RJ Gibb del

Titanic Requiem
Compuesto en el 2012
fue su ultima obra
Editado por RHINO 2564 - 661065
Dedicado a las victimas del naufragio del Titanic
Titanic Requiem contains:
1. Triumph [Shipbuilding] (4:07)
2. Farewell [The Immigrant Song] (3:17)
3. Maiden Voyage (4:28)
4. New York Suite In C Major (6:06)
5. Sub Astris [Under The Stars] (3:26)
6. Kyrie (2:58)
7. SOS [Tract] (4:36)
8. Distress [Confutatis] (4:28)
9. Salvation [Gradual] (3:00)
10. Reflections (3:19)
11. Daybreak (4:05)
12. Christmas Day (3:53)
13. Libera Me (3:40)
14. Don't Cry Alone (3:24)
15. In Paradism [Awakening] (6:15)
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TrosylhoBartolomeo (1500-1567)
Compositor Portugues

Es autor del motete

a 4 voces
editado por
  Ricercar 246 y Naxos
This Antiphon “Circumdederunt me” is used in the Officium Defunctorum ad Matutinum and set by the far unknown Portuguese Bartolomeo Trosylho for four voices (SATB). The Circumdederunt is often especially used by Spanish and Portuguese composers in the Office of the Dead like Cristobal de Morales (c.1500-1553), Pedro Fernandez (1483-1547), Aires Fernandez (16th C.), Juan de Avila ( 16th C.), Juan Gutiérrez de Padilla (c.1590-1664), Bartolomeo Trosylho (1500-1567), Hernando Franco (1532-1585), Sebastian de Vivanco (c.1551-1622), the German Balthasar de Senarius (c.1485-1544) and even Orlando di Lasso (1532-1594), Jacob Regnart (1540-1599) and William Byrd (1543-1623) did. As we saw this Antiphon is set by them all as an invitatory Antiphon for the Office of the Dead. On the other hand the interesting plainchant Circumdederunt is often used in chansons, motets, parody masses and even used in the splendid Requiem Mass by the Jean Richafort (c.1480-c.1547)a composer belonging to the third Netherlandish generation. Further more a “Circumdederunt me” is on the other hand the Introit out of the liturgy of Septuagint/Septuagesima. But that text differs from the wording used by the mentioned composers. This Antiphon is chosen by Trosylho as an invitatory antiphon (Motet) used at Matins of the Dead or at the Office of the Dead. He indicated by himself on the manuscript “pro defunctis trosylho”. That means enough. This motet “Circumdederunt me” is written in an vast polyphonic imitative flowing style. This motet is found in Coimbra MM34.

Author:Wim Goossens