MORALES Cristobal de (1500-53)
REQUIEM A 4 VOCES(1550)
REQUIEM A 4 VOCES(1550)
Compositor Español ,gran Polifonista ,
Bio
autor de esta
Missa pro Defunctis
de 1550c
Las partes de esta Missa Pro Defunctis son: - Introïtus: Requiem Aeternam.- Kyrië Christe Kyrie- Graduale: Requiem Aeternam.- Offertorium: Domine Jesu Christe.- Sancus y Benedictis.- Agnus Dei I, II, III. This Mass a Missa pro defunctis is found and published in Ms. IV de la Catedral de Málaga and is written for four voices SATB. It is a very short modest Mass compared to Missa Pro Defunctis written for five voices. This four-voices Mass is supposed to be written for the liturgical practices of Andalusia, the Court church of Osuna, following the uses of Seville!! , or perhaps the Cathedral of Malaga. This four-voices version by de Morales has no Tractus, Sequenz and Communio.
La segunda Misa del Polifonista es mas corta y modesta y esta hecha a la medida del uso Andaluz.
de 1550c
Las partes de esta Missa Pro Defunctis son: - Introïtus: Requiem Aeternam.- Kyrië Christe Kyrie- Graduale: Requiem Aeternam.- Offertorium: Domine Jesu Christe.- Sancus y Benedictis.- Agnus Dei I, II, III. This Mass a Missa pro defunctis is found and published in Ms. IV de la Catedral de Málaga and is written for four voices SATB. It is a very short modest Mass compared to Missa Pro Defunctis written for five voices. This four-voices Mass is supposed to be written for the liturgical practices of Andalusia, the Court church of Osuna, following the uses of Seville!! , or perhaps the Cathedral of Malaga. This four-voices version by de Morales has no Tractus, Sequenz and Communio.
La segunda Misa del Polifonista es mas corta y modesta y esta hecha a la medida del uso Andaluz.
CD editado por el sello Christoporus.
Ejemplos musicales
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